{"id":1060,"date":"2025-05-26T14:02:44","date_gmt":"2025-05-26T14:02:44","guid":{"rendered":"https:\/\/adamestii.ro\/?p=1060"},"modified":"2025-06-01T14:07:49","modified_gmt":"2025-06-01T14:07:49","slug":"acasa-la-tata-cand-teatrul-devine-oglinda-amara-a-vietii-de-zi-cu-zi","status":"publish","type":"post","link":"https:\/\/adamestii.ro\/index.php\/2025\/05\/26\/acasa-la-tata-cand-teatrul-devine-oglinda-amara-a-vietii-de-zi-cu-zi\/","title":{"rendered":"\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi"},"content":{"rendered":"

Seara aceasta a fost despre teatru. Despre frumuse\u021be. Despre o lume aparte, unde se mai pot spune lucruri mari, adev\u0103rate, cu lacrimi \u00een ochi sau cu z\u00e2mbet amar. Am fost la Teatrul \u201eGeorge Ciprian\u201d din Buz\u0103u, \u00een cadrul festivalului\u00a0\u201eBuz\u0103u iube\u0219te teatru\u201d<\/a>, pentru a vedea spectacolul\u00a0\u201eAcas\u0103 la tata\u201d<\/a>\u00a0\u2013 pies\u0103 scris\u0103 \u0219i regizat\u0103 de Mimi Br\u0103nescu, pus\u0103 \u00een scen\u0103 de Teatrul \u201eToma Caragiu\u201d Ploie\u0219ti. \u0218i-am plecat de acolo cu multe g\u00e2nduri, cu replici \u00eenfipte \u00een suflet \u0219i cu imaginea dur\u0103, dar sincer\u0103, a unei Rom\u00e2nii de care, uneori, \u00eencerc\u0103m s\u0103 uit\u0103m.<\/p>\n

\"\u201eAcas\u0103
\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi<\/figcaption><\/figure>\n

Dincolo de comedie, o dram\u0103 despre r\u0103t\u0103cirea \u00een familie<\/h3>\n

La prima vedere, piesa e o comedie. Publicul r\u00e2de. Sunt glume, situa\u021bii familiare, replici savuroase. Dar dac\u0103 ai r\u0103bdare s\u0103 treci dincolo de aparen\u021be, dac\u0103 la\u0219i cuvintele s\u0103 te ating\u0103, realizezi c\u0103, \u00een esen\u021b\u0103, e o dram\u0103. O dram\u0103 inspirat\u0103 din realitate, din satele rom\u00e2ne\u0219ti de azi \u0219i de ieri, din familiile disfunc\u021bionale care ne populeaz\u0103 imaginarul colectiv, din genera\u021bii care n-au \u00eenv\u0103\u021bat s\u0103 iubeasc\u0103, ci doar s\u0103 supravie\u021buiasc\u0103.<\/p>\n

Robert, personajul principal, e un t\u00e2n\u0103r scriitor care se \u00eentoarce acas\u0103, \u00een satul natal, dup\u0103 ani buni. Revederea cu tat\u0103l s\u0103u, cu fosta iubit\u0103, cu vechiul prieten, toate construiesc un tablou dureros \u00een care \u201eacas\u0103\u201d nu mai e cuibul de siguran\u021b\u0103, ci o celul\u0103 sufocant\u0103, unde orgoliile, frustr\u0103rile \u0219i traumele \u00ee\u0219i spun cuv\u00e2ntul.<\/p>\n

\"\u201eAcas\u0103
\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi<\/figcaption><\/figure>\n

\u201eAm b\u0103tut-o, altfel n-am \u0219tiut s\u0103 o iert<\/em>\u201d \u2013 o replic\u0103 scurt\u0103, dar grea ca un bolovan. Un tat\u0103 care-\u0219i justific\u0103 astfel comportamentul fa\u021b\u0103 de so\u021bie, \u00een fa\u021ba propriului fiu. \u00centr-o secund\u0103, \u00een acea propozi\u021bie, se concentreaz\u0103 \u00eentreaga tragedie a unei genera\u021bii care a confundat durerea cu iubirea \u0219i abuzul cu iertarea.<\/p>\n

Un tablou al realit\u0103\u021bii rurale, f\u0103r\u0103 machiaj<\/h3>\n

Mimi Br\u0103nescu reu\u0219e\u0219te, prin text \u0219i regie, s\u0103 aduc\u0103 \u00een fa\u021ba spectatorului un episod tipic al unei familii de la \u021bar\u0103. Dar nu e un episod cald sau reconfortant. Nu exist\u0103 bucuria re\u00eent\u00e2lnirii, nu exist\u0103 promisiunea stabilit\u0103\u021bii. \u00cen loc de lini\u0219te, g\u0103sim regrete, repro\u0219uri \u0219i amintiri care dor. Prezentul e mereu tulburat de trecut, iar fiecare replic\u0103 pare s\u0103 deschid\u0103 o ran\u0103.<\/p>\n

\"\u201eAcas\u0103
\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi<\/figcaption><\/figure>\n

\u201eC\u00e2nd \u021bi-oi da una, te scot din c\u0103lduri \u0219i te trimit direct la menopauz\u0103<\/em>\u201d \u2013 o alt\u0103 replic\u0103 ce a f\u0103cut sala s\u0103 r\u00e2d\u0103 \u00een hohote, dar care ascunde o revolt\u0103 amar\u0103. E strig\u0103tul unei femei epuizate de via\u021ba domestic\u0103, de copii, de un so\u021b infidel \u0219i de propria neputin\u021b\u0103. Este momentul \u00een care \u00ee\u0219i revendic\u0103 demnitatea, \u00een singurul mod pe care \u00eel mai are la \u00eendem\u00e2n\u0103.<\/p>\n

Am plecat cu aceste replici \u00een minte \u0219i cu o senza\u021bie ap\u0103s\u0103toare \u00een suflet. Poate pentru c\u0103 am recunoscut \u00een personajele de pe scen\u0103 oameni pe care \u00eei \u0219tim, pove\u0219ti pe care le-am auzit, dureri pe care le-am tr\u0103it. Piesa nu te las\u0103 s\u0103 r\u0103m\u00e2i spectator pasiv. Te oblig\u0103 s\u0103 vezi, s\u0103 sim\u021bi, s\u0103 te \u00eentrebi.<\/p>\n

Teatrul \u2013 refugiul din fa\u021ba realit\u0103\u021bii, dar \u0219i oglinda ei<\/h3>\n

Pentru mine, teatrul a fost mereu un refugiu. Un loc al frumosului, departe de agita\u021bia zilnic\u0103, departe de r\u0103ut\u0103\u021bi, departe de ur\u00e2tul lumii reale. Dar \u201eAcas\u0103 la tata\u201d mi-a reamintit c\u0103 teatrul nu \u00eenseamn\u0103 doar estetic, ci \u0219i adev\u0103r. Chiar \u0219i c\u00e2nd doare. Chiar \u0219i c\u00e2nd r\u00e2zi.<\/p>\n

Mimi Br\u0103nescu, autorul \u0219i regizorul piesei, e deja un nume cunoscut pentru iubitorii de teatru \u0219i televiziune \u2013 a scris scenariile serialelor \u201eLas Fierbin\u021bi\u201d \u0219i \u201eLombarzilor 8\u201d, iar stilul lui inconfundabil, cu umor acid \u0219i observa\u021bie social\u0103 fin\u0103, se simte \u00een fiecare scen\u0103.<\/p>\n

\"\u201eAcas\u0103
\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi<\/figcaption><\/figure>\n

Muzic\u0103, scenografie, atmosfer\u0103<\/h3>\n

Scenografia semnat\u0103 de Adela P\u00e2rvu \u0219i muzica interpretat\u0103 de Corina S\u00eerghi & Andrei Petrache contribuie la construirea unei atmosfere autentice, \u00een care drama \u0219i comicul se \u00eentrep\u0103trund firesc. Muzica, cu ton popular, puncteaz\u0103 cu fine\u021be fiecare moment \u0219i anun\u021b\u0103 ce urmeaz\u0103, ad\u00e2ncind \u0219i mai mult starea emo\u021bional\u0103 a scenelor.<\/p>\n

Distribu\u021bia a fost remarcabil\u0103: Andrei Radu, Conrad Mericoffer, Florentina N\u0103stase, Ioan Coman, Oxana Moravec, Ana Cre\u021bu \u0219i Drago\u0219 C\u00e2mpan au dat via\u021b\u0103 personajelor cu o sinceritate tulbur\u0103toare.<\/p>\n

O pies\u0103 care ar trebui v\u0103zut\u0103, sim\u021bit\u0103 \u0219i discutat\u0103<\/h3>\n

\u201eAcas\u0103 la tata\u201d nu e un spectacol confortabil. E intens, dur, plin de emo\u021bie. E despre noi. Despre p\u0103rin\u021bii no\u0219tri. Despre traumele care se mo\u0219tenesc. Despre r\u0103ni care se transform\u0103 \u00een replici acide, \u00een comportamente distructive. Dar \u0219i despre nevoia de a \u00een\u021belege, de a ierta, de a reconstrui.<\/p>\n

Pentru o sear\u0103 de teatru care nu doar distreaz\u0103, ci te pune pe g\u00e2nduri, \u201eAcas\u0103 la tata\u201d e alegerea perfect\u0103. Un spectacol care merit\u0103 v\u0103zut. \u0218i rev\u0103zut. Poate \u0219i pentru a \u00eenv\u0103\u021ba s\u0103 fim altfel dec\u00e2t cei \u201ede acas\u0103\u201d.<\/p>\n","protected":false},"excerpt":{"rendered":"

Seara aceasta a fost despre teatru. Despre frumuse\u021be. Despre o lume aparte, unde se mai pot spune lucruri mari, adev\u0103rate, cu lacrimi \u00een ochi sau cu z\u00e2mbet amar. Am fost la Teatrul \u201eGeorge Ciprian\u201d din Buz\u0103u, \u00een cadrul festivalului\u00a0\u201eBuz\u0103u iube\u0219te teatru\u201d, pentru a vedea spectacolul\u00a0\u201eAcas\u0103 la tata\u201d\u00a0\u2013 pies\u0103 scris\u0103 \u0219i regizat\u0103 de Mimi Br\u0103nescu, pus\u0103 […]<\/p>\n","protected":false},"author":2,"featured_media":1061,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[30],"tags":[61,58,41,57,62],"class_list":["post-1060","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diverse","tag-acasa-la-tata","tag-cronica","tag-ileana-scrie","tag-ileana-si-teatrul","tag-mimi-branescu"],"yoast_head":"\n\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi - Adame\u015ftii.ro<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/adamestii.ro\/index.php\/2025\/05\/26\/acasa-la-tata-cand-teatrul-devine-oglinda-amara-a-vietii-de-zi-cu-zi\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u201eAcas\u0103 la tata\u201d \u2013 c\u00e2nd teatrul devine oglinda amar\u0103 a vie\u021bii de zi cu zi - Adame\u015ftii.ro\" \/>\n<meta property=\"og:description\" content=\"Seara aceasta a fost despre teatru. Despre frumuse\u021be. Despre o lume aparte, unde se mai pot spune lucruri mari, adev\u0103rate, cu lacrimi \u00een ochi sau cu z\u00e2mbet amar. 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